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      <image:title>News - Saidiya Hartman to deliver 20th Annual AICA-USA Kippy Stroud Foundation Distinguished Critic Lecture at The New School - Make it stand out</image:title>
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      <image:title>News - Out Now: AICA E-Mag Issue #17 - Make it stand out</image:title>
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      <image:title>News - AICA-USA Announces 2026 Art Critic Fellowship Cohort - Make it stand out</image:title>
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      <image:title>News - AICA-USA Announces 2025 Art Critic Fellowship Cohort - Make it stand out</image:title>
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      <image:title>News - AICA-USA Member Awarded 2024 Rabkin Prize &amp;amp; Donates to Support Emerging Writers - Make it stand out</image:title>
      <image:caption>Portrait of Holland Cotter by Kevin J. Miyazaki</image:caption>
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      <image:title>News - AICA Awards: Incentive Prize For Young Art Critics 2021 - Make it stand out</image:title>
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    <lastmod>2024-09-12</lastmod>
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      <image:caption>Kerry James Marshall, Slow Dance, 1992-93, mixed media and acrylic on canvas. On view in "Take Care" at the University of Chicago's Smart Museum of Art.</image:caption>
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      <image:caption>Christine Sun Kim, detail of Three Tables III, 2020. From "Christine Sun Kim: Stacking Traumas" at Washington University’s Mildred Lane Kemper Art Museum.</image:caption>
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  <url>
    <loc>https://www.aicausa.org/magazine</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-04-01</lastmod>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/lines-on-concrete-najja-moon-at-tunnel-projects</loc>
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    <lastmod>2025-04-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/44b27971-c366-4730-ae4a-ae5df5608d30/Mate+Masie+Install+View+3.jpeg</image:loc>
      <image:title>Magazine - Lines on Concrete: Najja Moon at Tunnel Projects - Make it stand out</image:title>
      <image:caption>Installation view of Mate Masie by Najja Moon at Tunnel Projects. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/07394a93-082b-4248-a2dd-33214a89d3a4/Mate+Masie+Install+View+1.jpeg</image:loc>
      <image:title>Magazine - Lines on Concrete: Najja Moon at Tunnel Projects - Make it stand out</image:title>
      <image:caption>Installation view of Mate Masie by Najja Moon at Tunnel Projects. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/747397a5-c766-42d3-8e1c-dd46368f50fd/Mate+Masie+Install+View+5.jpeg</image:loc>
      <image:title>Magazine - Lines on Concrete: Najja Moon at Tunnel Projects - Make it stand out</image:title>
      <image:caption>Installation view of Mate Masie by Najja Moon at Tunnel Projects. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/351bc22c-c0e5-4759-8ac0-311e7d61438c/Mate+Masie+Install+View+6.jpeg</image:loc>
      <image:title>Magazine - Lines on Concrete: Najja Moon at Tunnel Projects - Make it stand out</image:title>
      <image:caption>Installation view of Mate Masie by Najja Moon at Tunnel Projects. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/dreaming-while-awake-cannupa-hanska-lugers-sovereignnbsp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/676a62c7-8cd3-4e65-a939-f3256f7c8913/Luger%2C+gagu%CC%81wi+%28Sovereign+Series%29%2C+2024.+Photo+by+Anthony+Rathbun.JPG</image:loc>
      <image:title>Magazine - Dreaming While Awake: Cannupa Hanska Luger’s Sovereign&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Left: Cannupa Hanska Luger, gagúwi (Sovereign Series), 2024, ceramic, steel, glass, fiber, paper, detritus, dimensions variable.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/f931b366-9151-46b1-856e-ac1c1d80b4ac/Luger%2C+awa%CC%81asha+%28Sovereign+Series%29%2C+2024.+Photo+by+Anthony+Rathbun.JPG</image:loc>
      <image:title>Magazine - Dreaming While Awake: Cannupa Hanska Luger’s Sovereign&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Right: awáasha (Sovereign Series), 2024, ceramic, steel, felt, paper, cork, wood, synthetic hair, glass, dimensions variable. Breath(e): Toward Climate and Social Justice, Moody Center for the Arts at Rice University. Photo by Anthony Rathbun.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/6f5bf81f-320d-4cdc-bcab-44c780b3bb66/Luger%2C+Sovereign%2C+2024.+Photo+by+Anthony+Rathburn.JPG</image:loc>
      <image:title>Magazine - Dreaming While Awake: Cannupa Hanska Luger’s Sovereign&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Cannupa Hanska Luger, Sovereign, 2024, ceramic, steel, glass, fiber, paper, detritus, 3-channel video projection, sound installation, dimensions variable. Breath(e): Toward Climate and Social Justice, Moody Center for the Arts at Rice University. Photo by Anthony Rathbun.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/da19b1de-2e9f-41a9-8ec5-146f51fef3be/Luger%2C+go%CC%81oxaadi+%28Sovereign+Series%29%2C+2024.+Photo+by+Anthony+Rathbun.JPG</image:loc>
      <image:title>Magazine - Dreaming While Awake: Cannupa Hanska Luger’s Sovereign&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Cannupa Hanska Luger, góoxaadi (Sovereign Series), 2024, ceramic, steel, felt, paper, cork,wood, synthetic hair, glass, dimensions variable. Breath(e): Toward Climate and Social Justice, Moody Center for the Arts at Rice University. Photo by Anthony Rathbun.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/carrying-grief-and-love-at-the-same-time-with-artist-vanessa-germannbsp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/ecb80e22-712e-4957-859b-635ac16d835d/vg_2022_4.jpg</image:loc>
      <image:title>Magazine - Carrying Grief and Love at the Same Time with Artist vanessa german&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Installation view of vanessa german: SAD RAPPER, September 8 - October 22, 2022. Photograph by Diego Flores. Courtesy of the artist and Kasmin Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/fc82c7b6-9980-48ba-943b-70c207d968e7/vg_untitled-1.png</image:loc>
      <image:title>Magazine - Carrying Grief and Love at the Same Time with Artist vanessa german&amp;nbsp; - Make it stand out</image:title>
      <image:caption>vanessa german, BLUE BOY (The Body of Grief Makes Space and Light), 2023, 53 x 32 x 20 inches. Ingredients: 30 yards of Blue Rip Stop from the first layer of the BLUE WALK prayer skirt which walked the National Mall in August of 2023, wood, heat, grief, sorrow, a torment in the heart which accumulates in the darkening of the winter sky, porcelain tea cup, horror, porcelain monkey with a trumpet, vintage beaded French flowers, hope, lust, a cringing face in the mirror, tears, instagram at 2am when you know you need to be asleep, 12,000 images of horror, terror and destruction that just don’t go away, you know? Love, porcelain figure bust of a white woman in a hat with her hand on her cheek, ceramic flowers, the BLUES do you hear me—THE BLUES, blue blue blue blue blue blue blue blue, sometimes the day hurts very badly and i struggle to make my mind close out thoughts of despair, distraction, holiness, folk art bottle cap chain, plaster, a healing to the broken heart, softness, hummingbird book ends, ceramic blue birds, ceramic dolls parts, a pair of some old man’s shoes, horror!!!!, dead bodies and people laughing at it!!!!, horror i tell you horror, blue pigment, blue lace, a blue stove pot, the sound of the artist losing her friends, mannequin hands, loneliness, yarn, wire, twine, beaded rhinestone lace, ugliness as beauty, beauty as horror, horror as an awakening, grace bursting out through the splinters of a withered heart, this bitter earth, flower candelabra, MYSTERIES, humanness, creativity, glory, 7 or 8 miracles, and a ceasefire. Courtesy of the artist and Kasmin Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/every-day-is-a-house-party-the-grief-and-joy-of-parenthood-in-heather-owenss-artnbsp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/546c762c-a0d4-4cb3-8ad0-4e0e58c2582e/This+is+my+Happy+Place.png</image:loc>
      <image:title>Magazine - Every Day is a House Party: the Grief and Joy of Parenthood in Heather Owens’s Art&amp;nbsp; - Make it stand out</image:title>
      <image:caption>This Is My Happy Place, 2024. Colored pencil on canvas. All images taken by the author in Heather’s studio unless otherwise noted.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/870d87fa-e9de-495d-8da5-605278e53e6e/Fun+Style.png</image:loc>
      <image:title>Magazine - Every Day is a House Party: the Grief and Joy of Parenthood in Heather Owens’s Art&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Fun Style, 2024. Mixed media assemblage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/9942f32e-8a4c-4983-a306-fcf9a022b56f/Expectation+and+Reality.png</image:loc>
      <image:title>Magazine - Every Day is a House Party: the Grief and Joy of Parenthood in Heather Owens’s Art&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Expectation and Reality, 2024. Found fabric, glue, earring backings. Underneath Reality is a picture of Heather’s son and a Lego Muppet figurine he stuck to the wall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/e62b72ff-1983-47e4-aded-f1063bf3acb3/Our+Mother+of+Serenity.jpg</image:loc>
      <image:title>Magazine - Every Day is a House Party: the Grief and Joy of Parenthood in Heather Owens’s Art&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Our Mother of Serenity, 2024. Found photo collage. Stickers, acrylic paint, gold leaf. Photograph by Heather Owens, reprinted here with permission.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/c154e2f4-a773-4c91-8be1-7ef6481396d9/Calvin+with+Butterflies.jpeg</image:loc>
      <image:title>Magazine - Every Day is a House Party: the Grief and Joy of Parenthood in Heather Owens’s Art&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Calvin with Butterflies, 2024. Acrylic paint. Photographed by Heather Owens. Reprinted here with permission.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/but-stillthe-rivernbsp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/654675fa-49e5-416b-8be8-4bdaaf232ba8/Garden-300dpi+copy.jpg</image:loc>
      <image:title>Magazine - But Still—The River - Make it stand out</image:title>
      <image:caption>Dana Murray Tyrrell, Garden, 2024. Oil on canvas, 60 x 38 inches. Courtesy of Dana Murray Tyrrell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/cc0da9d0-68f6-4f25-9434-f84d55c46ce0/Lethe-300dpi+copy.jpg</image:loc>
      <image:title>Magazine - But Still—The River - Make it stand out</image:title>
      <image:caption>Dana Murray Tyrrell, Lethe, 2024. Ash, resin, and oil paint on panel, 14 x 11 inches. Courtesy of Dana Murray Tyrrell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/658e8f8c-628d-47d7-a0e6-399ebba5cd11/99th+Street+%28300+dpi%29.jpg</image:loc>
      <image:title>Magazine - But Still—The River - Make it stand out</image:title>
      <image:caption>Dana Murray Tyrrell, 99th Street, 2024. Oil and graphite on canvas, 23.25 x 15 inches. Courtesy of Dana Murray Tyrrell.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/floral-facades</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/3ba80a81-b757-4b1c-86f0-8ce0f6affa52/unearthing_still31.jpeg</image:loc>
      <image:title>Magazine - Floral Facades - Make it stand out</image:title>
      <image:caption>Still, Belinda Kazeem-Kaminski, Unearthing. In Conversation (2017), 13 min, digital video</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/f58c84b1-c691-423e-be95-dfa7438dfcfe/Hummingbird.jpg</image:loc>
      <image:title>Magazine - Floral Facades - Make it stand out</image:title>
      <image:caption>Personal photograph from the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/449fb7f4-612f-4251-bea1-56706fcf13fc/IMG_4172-2_2021-10-09-201258_qvwo.jpg</image:loc>
      <image:title>Magazine - Floral Facades - Make it stand out</image:title>
      <image:caption>Personal photograph from the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1cec228e-8d1e-4d43-b00f-406e7004d14e/Container-4-2020-60-x-40-in-mid-res-150-dpi-9-x-6-in_1340_c.jpeg</image:loc>
      <image:title>Magazine - Floral Facades - Make it stand out</image:title>
      <image:caption>Joiri Minaya, Container #4, 2020, Archival pigment print, 40 x 60 in</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/368271fb-a9fa-43d2-831f-76f1bf6e619b/Minaya_1.jpg</image:loc>
      <image:title>Magazine - Floral Facades - Make it stand out</image:title>
      <image:caption>Joiri Minaya, Container #5, 2020, Archival pigment print, 40 x 60 in</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/3b66d410-bfc2-494f-a247-ab7d048bb542/Minaya_2.jpg</image:loc>
      <image:title>Magazine - Floral Facades - Make it stand out</image:title>
      <image:caption>Joiri Minaya, Container #1, 2015, Archival pigment print, 40 x 60 in</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/fc0908d2-d097-4614-971f-119e2b391777/Minaya_3.jpg</image:loc>
      <image:title>Magazine - Floral Facades - Make it stand out</image:title>
      <image:caption>Joiri Minaya, Container #2, 2016, Archival pigment print, 40 x 60 in</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/6e007455-4900-450f-9af6-fef3be3e14d8/Minaya_4.jpg</image:loc>
      <image:title>Magazine - Floral Facades - Make it stand out</image:title>
      <image:caption>Joiri Minaya, Container #3, 2017, Archival pigment print, 40 x 60 in</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/cc87a028-9064-48fc-a305-eb282c593438/unearthing_still21.jpeg</image:loc>
      <image:title>Magazine - Floral Facades - Make it stand out</image:title>
      <image:caption>Still, Belinda Kazeem-Kaminski, Unearthing. In Conversation (2017), 13 min, digital video</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/ad00e8bb-bbb3-4c79-84bf-b1920e1e03da/Huong_Ngo_To_Name_It_Is_To_See_It_13.jpeg</image:loc>
      <image:title>Magazine - Floral Facades - Make it stand out</image:title>
      <image:caption>Hương Ngô, In Passing I, Archival pigment print on silk habotai, custom armature, 73 x 42 in, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/a2ee6d46-f4dd-4505-9cd4-3fb4f0af38e4/NGO_2.png</image:loc>
      <image:title>Magazine - Floral Facades - Make it stand out</image:title>
      <image:caption>Hương Ngô, Having Been Lost in Plain View, Single channel digital video, Color, sound, 6:48, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/9b6d2490-09f6-48ed-9b5c-cfd41ddaf38f/Container-7-2020-60-x-40-in-mid-res-150-dpi-9-x-6-in_1340_c.jpeg</image:loc>
      <image:title>Magazine - Floral Facades - Make it stand out</image:title>
      <image:caption>Joiri Minaya, Container #7, 2020, Archival pigment print, 40 x 60 in</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/b4e8ade8-022d-459a-94a8-71e8def5bacb/Camo.jpg</image:loc>
      <image:title>Magazine - Floral Facades - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/3262dd14-75e0-40e9-8439-f909ce0206dd/riverwalk_istock_16236281_small.jpeg</image:loc>
      <image:title>Magazine - Floral Facades - Make it stand out</image:title>
      <image:caption>Stock image of the San Antonio River Walk</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/d2d44b93-23b7-420d-8735-41c02a7e4151/downtown_marketsquare.jpeg</image:loc>
      <image:title>Magazine - Floral Facades - Make it stand out</image:title>
      <image:caption>Photograph of El Mercado from San Antonio's official Parks and Recreation website</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/marvelous-survival-20-years-of-sitac</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/7f5a7888-cd17-4b40-acee-95efc05a2a8f/SITAC_XIV-7_2021-10-09-195254_dzsj.jpg</image:loc>
      <image:title>Magazine - Marvelous Survival: 20 Years of SITAC - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/cc5424cd-4a07-4161-b07e-d9a42c70644e/7.jpg</image:loc>
      <image:title>Magazine - Marvelous Survival: 20 Years of SITAC - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/751994da-48bc-406e-91d9-05d83aa97c4f/SITAC-IX-90.jpg</image:loc>
      <image:title>Magazine - Marvelous Survival: 20 Years of SITAC - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/91ccb714-6843-41d3-88a7-036caae96fb6/SITAC-VIII-Cartel-logos-final.jpg</image:loc>
      <image:title>Magazine - Marvelous Survival: 20 Years of SITAC - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/on-rage-and-silence</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-03</lastmod>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/2020-2021-art-amidst-chaos</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/92c8b87d-8d1b-4b3f-9d41-6d6c1e92feac/JCG12393-image-11_2021-10-09-191135_ugny.jpg</image:loc>
      <image:title>Magazine - 2020-2021: Art amidst Chaos - Make it stand out</image:title>
      <image:caption>Yun-Fei Ji. The nativists and immigrants, 2021 Ink and watercolor on paper, 30 x 27 1/2 in. © Yun-Fei Ji 2021. Image courtesy the artist and James Cohan, New York. Photo by Phoebe d'Heurle.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/e08c8c04-7622-49cc-8786-c6aa6630a2fc/SHONIBARE_The-Sleep-of-Reason-Asia_2008_JCG3743_frame-isolated.jpg</image:loc>
      <image:title>Magazine - 2020-2021: Art amidst Chaos - Make it stand out</image:title>
      <image:caption>Yinka Shonibare, CBE. The Sleep of Reason Produces Monsters (Asia), 2008 C-print mounted on aluminum Notes: Image size: 72 X 49.5 inches. © Yinka Shonibare CBE 2021. Image courtesy the artist and James Cohan, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/45ceeff2-2e7d-4675-b9e9-da1542fa9798/Sleep-of-Reason_Goya.jpg</image:loc>
      <image:title>Magazine - 2020-2021: Art amidst Chaos - Make it stand out</image:title>
      <image:caption>Francisco de Goya y Lucientes, Plate 43 from 'Los Caprichos': The sleep of reason produces monsters (El sueño de la razon produce monstruos), 1799, Etching, aquatint. Collection of the Metropolitan Museum of Art, Gift of M. Knoedler &amp; Co., 1918.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/in-praise-of-meandering</loc>
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    <priority>0.5</priority>
    <lastmod>2024-09-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/29546b94-a510-4a8d-80f9-caf7716c7eec/image_50376449.jpg</image:loc>
      <image:title>Magazine - In Praise of Meandering - Make it stand out</image:title>
      <image:caption>Yoshitomo Nara at LACMA. Photo by the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/interviews-with-art-writers-on-writing-art-interviews</loc>
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    <priority>0.5</priority>
    <lastmod>2024-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/51ae0c0c-bd35-48b8-9f95-eb4244a93069/image_2021-03-15-183555.png</image:loc>
      <image:title>Magazine - Interviews with Art Writers on Writing Art Interviews - Make it stand out</image:title>
      <image:caption>Installation view of Candice Lin: A Hard White Body, a Porous Slip. Photo: Robert Chase Heishman</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/an-interview-with-julia-schwartz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1a2394a0-0a1e-4728-9884-e50c5fcb35f3/Chutes-and-Ladders.png</image:loc>
      <image:title>Magazine - An Interview with Julia Schwartz - Make it stand out</image:title>
      <image:caption>Julia Schwartz, Chutes and Ladders, 2020 Oil on linen. 24 x 18 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/12d4a32b-2ed1-4a94-98df-756b2b94bc57/covid-diary-cover_200825_172848.jpg</image:loc>
      <image:title>Magazine - An Interview with Julia Schwartz - Make it stand out</image:title>
      <image:caption>Julia Schwartz, covid diary 2020, artist book, collaged newspaper and gouache, 11 x 8.5 inches (cover: don’t touch)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/9d3aa0d1-edc5-48a4-9beb-1bcee70e0147/covid-diary-dont-hoard.jpg</image:loc>
      <image:title>Magazine - An Interview with Julia Schwartz - Make it stand out</image:title>
      <image:caption>covid diary, 2020, artist book, collaged newspaper and gouache, 11 x 17 inches (don’t hoard)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/05154a79-c017-4b9b-8e07-a9c455d3e770/Family-Portrait.jpg</image:loc>
      <image:title>Magazine - An Interview with Julia Schwartz - Make it stand out</image:title>
      <image:caption>Julia Schwartz, Family Portrait, 2020 Oil on linen. 24 x 18 in</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/a76abd0e-147e-4099-8278-189266a60c84/trying-and-failing.jpg</image:loc>
      <image:title>Magazine - An Interview with Julia Schwartz - Make it stand out</image:title>
      <image:caption>Julia Schwartz, trying and failing 2011, oil and wax on panel, 20 x 16 inches</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/videodeath-powderhorn-explodes-the-image-world</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/82e9d219-8b35-439b-9154-b77cac862038/BLM_protest.jpg</image:loc>
      <image:title>Magazine - Videodeath: Powderhorn Explodes The Image World - Make it stand out</image:title>
      <image:caption>Demonstrators in downtown Des Moines, IA demand justice over the killing of George Floyd by a police officer in Minneapolis on May 29, 2020. Photograph by Phil Roeder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/e0437ab4-8051-4a93-ae4f-c4fcf454a45e/occupy.jpeg</image:loc>
      <image:title>Magazine - Videodeath: Powderhorn Explodes The Image World - Make it stand out</image:title>
      <image:caption>Occupy Wall Street demonstrators in downtown Manhattan on November 15, 2011. Photograph by David Shankbone.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/39da1294-fc13-4ac5-acde-875dc857e99d/Lebroninsta.png</image:loc>
      <image:title>Magazine - Videodeath: Powderhorn Explodes The Image World - Make it stand out</image:title>
      <image:caption>LeBron James (@kingjames) instagram post, May 26, 2020.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/on-viewing-rooms-displaying-pictures-void-of-contexts-absent-deliberation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/01f9c2ff-9bc4-4b26-8c32-2c0b99f95bd0/forNow.jpg</image:loc>
      <image:title>Magazine - On Viewing Rooms: Displaying Pictures Void of Contexts, Absent Deliberation - Make it stand out</image:title>
      <image:caption>Nicole Miller, For Now, 2018, installation view, Kristina Kite Gallery, Los Angeles. Featured on Galleryplatform.LA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/9e9a6cc8-78ae-4b6a-8abb-c128a3a3732b/lamb.jpg</image:loc>
      <image:title>Magazine - On Viewing Rooms: Displaying Pictures Void of Contexts, Absent Deliberation - Make it stand out</image:title>
      <image:caption>Detail from The Adoration of the Mystic Lamb before (left) and after restoration.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/3df6d471-ac64-4628-94e0-bd932b809386/annemoma.jpg</image:loc>
      <image:title>Magazine - On Viewing Rooms: Displaying Pictures Void of Contexts, Absent Deliberation - Make it stand out</image:title>
      <image:caption>Installation view, Patterns II at Anne Mosseri-Marlio Galerie, Basel.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/missing-museums</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/bcf07663-4fc5-4b24-8fee-c46420bdcdcb/VanEyck.png</image:loc>
      <image:title>Magazine - Missing Museums - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/17278f08-4318-4873-8679-7fe64b5a6622/david_plate_200629_161815.jpeg</image:loc>
      <image:title>Magazine - Missing Museums - Make it stand out</image:title>
      <image:caption>Detail from Plate with the Battle of David and Goliath, silver, 629–30, Metropolitan Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/37c9c685-6c54-4f3f-b7c1-0d260e798ac4/antioch_chalice.jpeg</image:loc>
      <image:title>Magazine - Missing Museums - Make it stand out</image:title>
      <image:caption>The Antioch "Chalice," silver, 500–550, Metropolitan Museum of Art.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/art-and-impermanence-an-interview-with-jessica-dessner</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/b7846d5b-9ead-4794-bd0b-49d553a35eb2/Dessner_viglione.png</image:loc>
      <image:title>Magazine - Art and Impermanence: An Interview with Jessica Dessner - Make it stand out</image:title>
      <image:caption>Jessica Dessner, Viglione Feisoglio 2, 2020, colored pencil and watercolor on paper, 19 x 24 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/bcd4431a-c8b8-4e23-913b-590f6fbe346a/Civitali.png</image:loc>
      <image:title>Magazine - Art and Impermanence: An Interview with Jessica Dessner - Make it stand out</image:title>
      <image:caption>Matteo Civitali, Annunciata, 1490. Wikimedia Commons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/7617a142-9d4e-4871-98c7-1934a69ab80c/Dessner_tree.png</image:loc>
      <image:title>Magazine - Art and Impermanence: An Interview with Jessica Dessner - Make it stand out</image:title>
      <image:caption>Jessica Dessner, Tree 6, 2020, watercolor on paper, 39.5 x 27.5 inches</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/the-day-the-world-stopped</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/0d7f8397-1548-45a3-b369-29f09500c16f/Cole_desolation.jpg</image:loc>
      <image:title>Magazine - The Day the World Stopped - Make it stand out</image:title>
      <image:caption>Thomas Cole, The Course of Empire: Desolation, oil on canvas, 1836.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/71a4b66b-ccf0-4888-a3a2-3e6a2e59aa92/Gelburd-March-2020.-406_160932.jpg</image:loc>
      <image:title>Magazine - The Day the World Stopped - Make it stand out</image:title>
      <image:caption>Photograph by Gail Gelburd, March 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/8efa249b-82c7-4bbd-9f23-89243470c6a0/timelandscape3.jpg</image:loc>
      <image:title>Magazine - The Day the World Stopped - Make it stand out</image:title>
      <image:caption>Alan Sonfist, Time Landscape, 1965, La Guardia Place and West Houston Street, New York City</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/reflections-from-laguna-beach</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/cc1af701-3a94-485c-9a68-9685e37e7524/Main-Beach_200527_203730.jpg</image:loc>
      <image:title>Magazine - Reflections From Laguna Beach - Make it stand out</image:title>
      <image:caption>Laguna Beach in 2014. Photo by Tom Lamb.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/6a13003e-15cd-458a-979f-967bb8c39939/Kleitsch_TheOldPostOffice.jpg</image:loc>
      <image:title>Magazine - Reflections From Laguna Beach - Make it stand out</image:title>
      <image:caption>Joseph Kleitsch, The Old Post Office, oil on canvas, 1922-23. Property of Laguna Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/a7cf2bf0-07ec-4356-8fac-d21b0eef4483/masson.jpg</image:loc>
      <image:title>Magazine - Reflections From Laguna Beach - Make it stand out</image:title>
      <image:caption>André Masson. There Is No Finished World. 1942. The Baltimore Museum of Art: Bequest of Saidie A. May, BMA 1951.333. © Artists Rights Society (ARS), New York / ADAGP, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/4fc12065-43c0-4c04-bdf9-15ff41098152/Ernst.jpg</image:loc>
      <image:title>Magazine - Reflections From Laguna Beach - Make it stand out</image:title>
      <image:caption>Max Ernst. Europe after the Rain II. 1940-42. The Wadsworth Atheneum Museum of Art: The Ella Gallup Sumner and Mary Caitlin Sumner Collection Fund, 1942.281</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/feast-amp-fast-for-neither-the-fittest-nor-the-fattest-but-a-frugal-futurist</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/8b84db6c-decb-49c0-867e-735944667b2a/asparagus.jpg</image:loc>
      <image:title>Magazine - Feast &amp;amp; Fast for neither the Fittest nor the Fattest but a Frugal Futurist - Make it stand out</image:title>
      <image:caption>Adriaen Coorte (1659/64 –1707), A bundle of asparagus. Middelburg, Netherlands, 1703. Oil on canvas. 30 x 23 cm. Given by Frank Brangwyn, 1943 (2575). Image courtesy of The Fitzwilliam Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/b1417ca2-689d-4d0c-a70a-02a9c5bf7a81/image001.jpg</image:loc>
      <image:title>Magazine - Feast &amp;amp; Fast for neither the Fittest nor the Fattest but a Frugal Futurist - Make it stand out</image:title>
      <image:caption>A page from Isaac Newton’s notebook (Fitzwilliam Newton Notebook) recording various miscellaneous purchases, 1667-68 (MS 1-1936). Image courtesy of The Fitzwilliam Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/8b757082-8c26-404e-8d43-771f695e7861/newton2.png</image:loc>
      <image:title>Magazine - Feast &amp;amp; Fast for neither the Fittest nor the Fattest but a Frugal Futurist - Make it stand out</image:title>
      <image:caption>Three pages from Isaac Newton’s notebook (Fitzwilliam Newton Notebook) recording (left) various miscellaneous personal expenses, (center) mathematical calculations, and (right) sins written in short-hand code only deciphered in 1963 (MS 1-1936). Images courtesy of The Fitzwilliam Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/f245a5a5-72a5-44fb-9b1c-caa60f7811a9/pineapple.jpg</image:loc>
      <image:title>Magazine - Feast &amp;amp; Fast for neither the Fittest nor the Fattest but a Frugal Futurist - Make it stand out</image:title>
      <image:caption>The Fitzwilliam Museum, Cambridge, with Bompas &amp; Parr’s Giant Architectonic Pineapple with its pink Fibonacci-sequence-inspired base celebrating the multi-sensory aspects of the pineapple and the Museum’s links to the first pineapple cultivation in Britain; displayed on the front lawn to encourage the public inside to visit the Feast &amp; Fast exhibition as well as the permanent collections.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/0f1086d6-5958-48f6-abb9-d6f82b467cf1/magritte1.jpg</image:loc>
      <image:title>Magazine - Feast &amp;amp; Fast for neither the Fittest nor the Fattest but a Frugal Futurist - Make it stand out</image:title>
      <image:caption>Rene Magritte, La Chambre D'Ecoute (The Listening Room), 1952, oil on canvas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/ea30baad-7345-4fcb-95b6-c36e32d8aa8a/toddler.jpg</image:loc>
      <image:title>Magazine - Feast &amp;amp; Fast for neither the Fittest nor the Fattest but a Frugal Futurist - Make it stand out</image:title>
      <image:caption>Toddler with fruit in a mobile high chair, probably Die Porceleyne Schotel Factory, Delft, Netherlands, c.1764–73. Tin-glazed earthenware. 13 x 8.3 cm. Dr J.W.L. Glaisher Bequest (C.2773-1928). Image courtesy of The Fitzwilliam Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/ff18f274-c28c-4c82-bd86-e1604dd346ff/Mackenzie.jpg</image:loc>
      <image:title>Magazine - Feast &amp;amp; Fast for neither the Fittest nor the Fattest but a Frugal Futurist - Make it stand out</image:title>
      <image:caption>Frederick MacKenzie (1787–1854), Cambridge Market Place, London, England, 1841. Watercolor, graphite pencil, bodycolour and white, gum applications and scratching out, on paper. 75.8 x 101 cm. Purchased with the Fairhaven Fund (PD.13-1971). Image courtesy of The Fitzwilliam Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/705de0c6-fb70-4288-8e06-82362982b7b9/Francken.jpg</image:loc>
      <image:title>Magazine - Feast &amp;amp; Fast for neither the Fittest nor the Fattest but a Frugal Futurist - Make it stand out</image:title>
      <image:caption>Frans Francken the Younger (1581–1642), The worship of the golden calf, Antwerp, Belgium, c.1630–35. Oil on panel. 56.8 x 86.3 cm. Given by Augustus Arthur Vansittart, 1864 (262). Image courtesy artuk.org.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/b19fd157-108b-49a3-be5b-c8a4bf82f459/Aersten.png</image:loc>
      <image:title>Magazine - Feast &amp;amp; Fast for neither the Fittest nor the Fattest but a Frugal Futurist - Make it stand out</image:title>
      <image:caption>Pieter Aertsen (1507/8–75), Preparations for a Feast, Antwerp or Amsterdam, 1550–75. Oil on canvas. 95 x 170.5 cm. Lent by the Birmingham Museums Trust (1925P344).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/869afefa-85fb-4423-9536-77f717db8c79/Menu_200426_200821.jpg</image:loc>
      <image:title>Magazine - Feast &amp;amp; Fast for neither the Fittest nor the Fattest but a Frugal Futurist - Make it stand out</image:title>
      <image:caption>Expenses for a dinner for the executors of Lady Margaret Beaufort, Countess of Richmond and Derby (1443–1509), England, 1510–11. Single folio sheet, 30.8 x 21.4 cm. Lent by the Master and Fellows of St John’s College, Cambridge (SJLM/7/5/14). Image courtesy of The Fitzwilliam Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/d4f6ca51-ff60-447d-bc84-f467d5d1cd07/ClaeszPeacockPie.jpg</image:loc>
      <image:title>Magazine - Feast &amp;amp; Fast for neither the Fittest nor the Fattest but a Frugal Futurist - Make it stand out</image:title>
      <image:caption>Pieter Claesz (1597–1661), Still Life with Peacock Pie, 1627, oil on panel, 77.5 x 128.9 cm. National Gallery of Art, Washington, D.C. The Lee and Juliet Folger Fund (2013.141.1).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/db783f95-c48c-4edd-acd9-5078ded0e4c5/gingerbread_8_201906_amt49_dc1.jpg</image:loc>
      <image:title>Magazine - Feast &amp;amp; Fast for neither the Fittest nor the Fattest but a Frugal Futurist - Make it stand out</image:title>
      <image:caption>Pieter Claesz (1597–1661), Still Life with Peacock Pie, 1627, oil on panel, 77.5 x 128.9 cm. National Gallery of Art, Washington, D.C. The Lee and Juliet Folger Fund (2013.141.1).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1906c5c0-66ee-4ed4-bee2-975ffac49a12/bird_table_5_201902_dc1.jpg</image:loc>
      <image:title>Magazine - Feast &amp;amp; Fast for neither the Fittest nor the Fattest but a Frugal Futurist - Make it stand out</image:title>
      <image:caption>A recreation of a Baroque feasting table with bird pies, c. 1650, conceived and made by Ivan Day for the Feast &amp; Fast exhibition, with taxidermy by David Astley and models by Tony Barton. Image courtesy of The Fitzwilliam Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/adc879db-4628-46b8-a480-b02a3358d020/gingerbread_9_201906_amt49_dc1_200426_190646.jpg</image:loc>
      <image:title>Magazine - Feast &amp;amp; Fast for neither the Fittest nor the Fattest but a Frugal Futurist - Make it stand out</image:title>
      <image:caption>Back of a double-sided gingerbread mould with a gentlewoman, Netherlands or Belgium, c.1620. Fruitwood. 19.6 x 9.5 x 4 cm. Private collection. Displayed with a gilt gingerbread pressing by Ivan Day, 2019. Image courtesy of The Fitzwilliam Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/3c27062c-4337-466e-9b75-50a02138b71e/coins.jpg</image:loc>
      <image:title>Magazine - Feast &amp;amp; Fast for neither the Fittest nor the Fattest but a Frugal Futurist - Make it stand out</image:title>
      <image:caption>Token, The Uncharitable Monopolizer, designed by John Hancock, Middlesex, England, 1800. Copper alloy, inscribed (obverse): ‘THE UNCHARITABLE MONOPOLIZER WILL STARVE THE POOR / TAKE NOT WHAT IS MADE FOR ALL / MORE WAREHOUSE ROOM / WHEAT IS BUT 22 SHILLINGS A BUSHEL / 1800 / IN DISTRESS’ with a profile head (of William Pitt) labelled ‘POSSESSION’ trying to swallow the world; and (reverse): ‘THE CHARITABLE HAND / COME ALL YE DISTRESSED’ with eye of God and divine rays with ‘WELL DONE’ shining down on a hand dropping coins into the outstretched hands of the elderly and children, 3.7 cm (diam). Anonymous donor (CM.526-1989).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/66454b02-5a8e-4b4a-a1bb-7a6b2c8f10ec/blackberry.png</image:loc>
      <image:title>Magazine - Feast &amp;amp; Fast for neither the Fittest nor the Fattest but a Frugal Futurist - Make it stand out</image:title>
      <image:caption>Photograph of the author’s phone, taken by the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/036443c6-08a2-4725-8fa9-c0576a7e565c/sign.png</image:loc>
      <image:title>Magazine - Feast &amp;amp; Fast for neither the Fittest nor the Fattest but a Frugal Futurist - Make it stand out</image:title>
      <image:caption>Photograph taken by the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/fb252930-3ace-4603-8a5f-b3e1a244f0f9/virgilius.jpg</image:loc>
      <image:title>Magazine - Feast &amp;amp; Fast for neither the Fittest nor the Fattest but a Frugal Futurist - Make it stand out</image:title>
      <image:caption>Virgilius Solis the Elder (1514–62), The world turned upside down: Hares roasting a hunter, Germany, 1530–62. Etching, trimmed with thread margins. 4.3 x 20.6 cm. The Rev. R.E. Kerrich Bequest, 1872; received 1873 (P.4962-R). Image courtesy of The Fitzwilliam Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/the-virtual-critic-a-though-experiment</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/e13a1118-9027-488f-aa30-61acf53f9f26/nitsch-screenshot.png</image:loc>
      <image:title>Magazine - The Virtual Critic: A Thought Experiment - Make it stand out</image:title>
      <image:caption>Screenshot, virtual exhibition, “Hermann Nitsch: The Shape of Color” at Galerie RX, Paris.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/a3a9d613-5d89-4893-b708-6013a46a7d33/Hampster_dance.gif</image:loc>
      <image:title>Magazine - The Virtual Critic: A Thought Experiment - Make it stand out</image:title>
      <image:caption>"Hampster Dance" is one of the earliest single-serving sites. Created by Canadian art student Deidre LaCarte as a GeoCities page, the dance features rows of animated GIFs of hamsters and other rodents dancing in various ways to a sped-up sample from the song "Whistle Stop" by Roger Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/d7e4e9ae-eb2d-4a4f-b10d-1e9227458aed/Mosely.png</image:loc>
      <image:title>Magazine - The Virtual Critic: A Thought Experiment - Make it stand out</image:title>
      <image:caption>Screenshot, virtual exhibition, "Thaddeus Mosely" at Karma, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/e6c54c4f-5ce8-4fc1-a6e1-396590abaf42/Mosely2.png</image:loc>
      <image:title>Magazine - The Virtual Critic: A Thought Experiment - Make it stand out</image:title>
      <image:caption>Screenshot, virtual exhibition navigation instructions</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/15293cc8-1371-4386-bd7a-ff76733236eb/Rondinone.png</image:loc>
      <image:title>Magazine - The Virtual Critic: A Thought Experiment - Make it stand out</image:title>
      <image:caption>Screenshot, virtual exhibition, Ugo Rondinone: good evening beautiful blue at The Bass, Miami</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/remembering-maurice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/8678aef0-66c7-489d-90fa-a3a50d89c3b0/Maurice_Berger_200406_202016.jpg</image:loc>
      <image:title>Magazine - Remembering Maurice - Make it stand out</image:title>
      <image:caption>Maurice Berger photographed by Seher for UNDO Magazine, 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/8c215310-5eb2-41c4-ae5b-8a19dace5314/Guardian.png</image:loc>
      <image:title>Magazine - Remembering Maurice - Make it stand out</image:title>
      <image:caption>Calida Rawles, Guardian, acrylic on canvas, 2020.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/thoughts-on-doom</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/6c1a749c-b275-4dd7-adeb-820eff9cbcb6/DavidW.jpg</image:loc>
      <image:title>Magazine - Thoughts on Doom - Make it stand out</image:title>
      <image:caption>David Wojnarowicz, Untitled (Burning House), spray paint on paper, 1982.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/5ace9b03-98c5-400d-a12b-c86fe57d0120/Durer1.jpg</image:loc>
      <image:title>Magazine - Thoughts on Doom - Make it stand out</image:title>
      <image:caption>Albrecht Dürer, The Four Horsemen, from The Apocalypse, woodcut, 1498. From metmuseum.org.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/a679793f-ba16-42c8-bba2-3f1f2726d13c/Turner.jpg</image:loc>
      <image:title>Magazine - Thoughts on Doom - Make it stand out</image:title>
      <image:caption>Joseph Mallord William Turner, Death on a Pale Horse, oil on canvas, 1825–30. From tate.org.uk.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/6a70e255-26d9-41a9-bc5a-e9c85b3d5943/large_Portrait-Self_Portrait_of_David_Wojnarowicz_1983-85_2.jpg</image:loc>
      <image:title>Magazine - Thoughts on Doom - Make it stand out</image:title>
      <image:caption>David Wojnarowicz with Tom Warren, Self-Portrait of David Wojnarowicz, acrylic and collaged paper on gelatin silver print, 1983–84. From whitney.org.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/bette-alexander</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/ddb8f965-ed73-4f6e-8fdf-1c06a11967d7/bettealexander_200404_215248.png</image:loc>
      <image:title>Magazine - Bette Alexander - Make it stand out</image:title>
      <image:caption>Bette Alexander, Mama Violet, oil stick, ink, crayon on paper, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/5f027b06-aa19-42ab-8002-42dbb60c70ee/bette.jpg</image:loc>
      <image:title>Magazine - Bette Alexander - Make it stand out</image:title>
      <image:caption>Bette Alexander, Waiting for a Minyan #1, oil paint on paper, 2005</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/52eb4567-f948-4d6d-b2ab-5767f824d6f4/U10.jpg</image:loc>
      <image:title>Magazine - Bette Alexander - Make it stand out</image:title>
      <image:caption>Bette Alexander, Dancing Zydaco #2, Oil on Canvas, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/cc9d5f90-f15c-4d52-bec7-0011751eaffc/Jawlensky.png</image:loc>
      <image:title>Magazine - Bette Alexander - Make it stand out</image:title>
      <image:caption>Alexei Jawlensky. Meditation: My Spirit Will Live On, Oil on cardboard, 1935. Museum Wiesbaden.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/corona-time-in-soho</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/b5bc22e4-e7a4-4558-9475-40fb557a1a70/emptyNoho_200328_225550.jpg</image:loc>
      <image:title>Magazine - Corona Time in SoHo - Make it stand out</image:title>
      <image:caption>An empty street in NoHo. Photograph by Luigi Cazzaniga.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/161d1f7d-d927-4623-a2d7-d645e8cd3c55/TimothyWashington.png</image:loc>
      <image:title>Magazine - Corona Time in SoHo - Make it stand out</image:title>
      <image:caption>Installation view from Timothy Washington's exhibition Pucker Up, 2020. From salon94.com.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/ce695958-fea2-4891-9549-5ce501e3b3aa/emptyunionsquare.jpg</image:loc>
      <image:title>Magazine - Corona Time in SoHo - Make it stand out</image:title>
      <image:caption>Union Square under quarantine. Photograph by Luigi Cazzaniga.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/b08f6325-ef92-4a22-8c41-95deb2ef49c2/Schnyder_200328_230052.jpg</image:loc>
      <image:title>Magazine - Corona Time in SoHo - Make it stand out</image:title>
      <image:caption>Jean-Frédéric Schnyder, Studie 17, 1997, Oil on canvas. From presenhuber.com.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/34d09853-0241-4b88-ae9a-b314c03e6067/ominousscene.jpg</image:loc>
      <image:title>Magazine - Corona Time in SoHo - Make it stand out</image:title>
      <image:caption>Photograph by Luigi Cazzaniga.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/thoughts-in-and-on-quarantine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/cf6d35d3-b564-4578-b12f-3175de3c75b3/proust.jpg</image:loc>
      <image:title>Magazine - Thoughts in and on Quarantine - Make it stand out</image:title>
      <image:caption>Marcel Proust's bedroom at the Musée Carnavalet, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/9e58bef5-bd23-4f9d-9121-661830ee32fd/Bontecou.jpg</image:loc>
      <image:title>Magazine - Thoughts in and on Quarantine - Make it stand out</image:title>
      <image:caption>Lee Bontecou, Untitled. 1980-1998, Museum of Modern Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/2ce49d89-fd73-4a43-b6fe-bb5579909de7/Madonia.png</image:loc>
      <image:title>Magazine - Thoughts in and on Quarantine - Make it stand out</image:title>
      <image:caption>Valerie Madonia, former leading ballerina with the Joffrey Ballet, casting out the virus in Telluride Colorado. Screen capture.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/cooking-in-a-time-of-plague</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/7f6defbe-3633-4ef0-a6f5-8de761c418ac/Peeters.jpg</image:loc>
      <image:title>Magazine - Cooking in a Time of Plague - Make it stand out</image:title>
      <image:caption>Clara Peeters, Still Life with Cheeses, Artichoke, and Cherries, ca. 1625. Los Angeles County Museum of Art</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/towards-a-critical-insurgency</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1ee323f6-5089-47b6-b035-d2eb88d71986/Whitney_protest2.jpg</image:loc>
      <image:title>Magazine - Towards a Critical Insurgency - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/028a6ac7-5d07-4ef3-b074-2d84d3a5b9c3/Guggenheim_protest.jpg</image:loc>
      <image:title>Magazine - Towards a Critical Insurgency - Make it stand out</image:title>
      <image:caption>Protest at the Guggenheim Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/6f378008-3da8-4994-9c50-be0ba3f7e481/Met_protest.jpg</image:loc>
      <image:title>Magazine - Towards a Critical Insurgency - Make it stand out</image:title>
      <image:caption>Protest at the Metropolitan Museum of Art's Temple of Dendur</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/when-the-water-falls</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/c7c3c6a8-eedb-412e-b888-339c33af7bcb/Susanne_Kuhn_2.jpg</image:loc>
      <image:title>Magazine - When the Water Falls - Make it stand out</image:title>
      <image:caption>Susanne Kühn, BEASTVILLE, 2019, 250 x 380 cm, two parts, mixed media on canvas. Photograph by Bernhard Strauss.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/94f673d2-845a-4040-b511-86b6e1bc73de/Susanne-Kuhn_Robota.jpg</image:loc>
      <image:title>Magazine - When the Water Falls - Make it stand out</image:title>
      <image:caption>ROBOTA II, 2019, 250 x 390 cm, mixed media on canvas, two-parts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/f4019093-c6e1-43c5-b062-56e869cea239/Bosch_LastJudgement1.png</image:loc>
      <image:title>Magazine - When the Water Falls - Make it stand out</image:title>
      <image:caption>Hieronymus Bosch: Last Judgment triptych, outer wings, c. 1490 – c. 1505, oil tempera on oak, c. 164 x 59 cm (each wing), The Paintings Gallery of the Academy of Fine Arts Vienna</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/magazine/aica-denounces-growing-threats-to-free-expression</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/a1f518c7-10f7-4b55-bf82-49b2a4f3d003/OdeToTheSea.jpg</image:loc>
      <image:title>Magazine - AICA Denounces Growing Threats to Free Expression - Make it stand out</image:title>
      <image:caption>From the reception of "Ode To The Sea: Art From Guantanamo Bay," October 16, 2017-January 26, 2018, President's Gallery, John Jay College of Criminal Justice, New York. Image courtesy of the curators.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1735671458707-263WFITI5HXFGY885J56/2024_12_04_Argenis_Apolinario_VLC_AICA_2991.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Hilton Als</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1735671535216-O4ABZZ8MXZUFSQ8T8C0C/2024_12_04_Argenis_Apolinario_VLC_AICA_2913.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Hilton Als</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/distinguished-critic-lecture/valeriecasseloliver</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/60a16c7e-c701-4aef-a0cb-2cf60191d566/Headshot.Troy-Wilkenson-1.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Valerie Cassel Oliver - Make it stand out</image:title>
      <image:caption>Valerie Cassel Oliver. Photo by Troy Wilkenson, courtesy the Virginia Museum of Fine Arts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1726344551406-X9WS0J4LNWDU9BME4RME/20231211_Argenis_Apolinario_VLC_AICA_USA_LECTURE_6821.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Valerie Cassel Oliver</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1726344553731-GE43UL1V2VMYX1HVMI5T/20231211_Argenis_Apolinario_VLC_AICA_USA_LECTURE_6842.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Valerie Cassel Oliver</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1726344556983-D9ZF4DF2ZBAKUA863NS6/20231211_Argenis_Apolinario_VLC_AICA_USA_LECTURE_6952.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Valerie Cassel Oliver</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1726344559341-9GJSDO5TNBE5NVRSTJWK/20231211_Argenis_Apolinario_VLC_AICA_USA_LECTURE_6997.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Valerie Cassel Oliver</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1726344561312-2K2B6OYW6PXX7NOO0Y5G/20231211_Argenis_Apolinario_VLC_AICA_USA_LECTURE_7036.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Valerie Cassel Oliver</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1726344573146-IX14X47EVUOGI8KIRU7R/20231211_Argenis_Apolinario_VLC_AICA_USA_LECTURE_7050.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Valerie Cassel Oliver</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1726344577512-L5VFB5XJ9KTCZKRMDK8W/20231211_Argenis_Apolinario_VLC_AICA_USA_LECTURE_7086.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Valerie Cassel Oliver</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1726344579622-4FZAPNKWZ42IIO041WIS/20231211_Argenis_Apolinario_VLC_AICA_USA_LECTURE_7143.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Valerie Cassel Oliver</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1726344582257-6T29RMNS3G2BOFAS9K1T/20231211_Argenis_Apolinario_VLC_AICA_USA_LECTURE_7153.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Valerie Cassel Oliver</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1726344585014-V49W8ZU33H8BSX76CHF7/20231211_Argenis_Apolinario_VLC_AICA_USA_LECTURE_7358.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Valerie Cassel Oliver</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1726344587219-8CSU9ZI5L82XRNS8QXAN/20231211_Argenis_Apolinario_VLC_AICA_USA_LECTURE_7427.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Valerie Cassel Oliver</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1726344592899-B59TKNK5TZFQQY3BX2BN/20231211_Argenis_Apolinario_VLC_AICA_USA_LECTURE_7801.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Valerie Cassel Oliver</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1726344595341-ZKRYKW70ZWYCGYLUJ300/20231211_Argenis_Apolinario_VLC_AICA_USA_LECTURE_7865.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Valerie Cassel Oliver</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1726344597698-YOHBTNX04VXIL44HTOGG/20231211_Argenis_Apolinario_VLC_AICA_USA_LECTURE_7885.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Valerie Cassel Oliver</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1726344600954-BPMTF7IIL1BKHIQMGG5V/20231211_Argenis_Apolinario_VLC_AICA_USA_LECTURE_8025.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Valerie Cassel Oliver</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1726344604222-3RIAV8YX191YFWDGF1RF/20231211_Argenis_Apolinario_VLC_AICA_USA_LECTURE_8065.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Valerie Cassel Oliver</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/distinguished-critic-lecture/siddharthamitter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/328f3ba9-aad0-45c2-9148-44f47cc818d7/SiddharthaMitter-photo-by-TomSaater.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Siddhartha Mitter - Make it stand out</image:title>
      <image:caption>Siddhartha Mitter, photo by Tom Saater</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1726348240869-NDRY2NNZLLETLI99S26Q/The+New+School+VLC-70149.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Siddhartha Mitter</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1726348242732-A0500N37CL0ZNFTJ09JQ/The+New+School+VLC-70173.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Siddhartha Mitter</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1726348244559-Q4EWJKN601ETKBAZQ6QZ/The+New+School+VLC-70226.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Siddhartha Mitter</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1726348248689-LXU9K91KETV3Z94VMJZ3/The+New+School+VLC-70352.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Siddhartha Mitter</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1726348250390-ALC0385WF5KU8X5I9QEQ/The+New+School+VLC-70406.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Siddhartha Mitter</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1726348252973-9G6Q3LZ1FSN5B17H0I3S/The+New+School+VLC-70552.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Siddhartha Mitter</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1726348254859-H1YCCV6UCE2Z3WYS4EQN/The+New+School+VLC-70615.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Siddhartha Mitter</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1726348256730-ZJMK8G6GA6YAMY4EQYMM/The+New+School+VLC-70628.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Siddhartha Mitter</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/1726348259108-VFX5AHKJ9813GC5R5E0S/The+New+School+VLC-70648.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Siddhartha Mitter</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/distinguished-critic-lecture/legacyrussell</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/84366722-a0a6-4eb7-b363-3360783d85c8/Photo-Jan-31-5-54-33-PM.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Legacy Russell - Make it stand out</image:title>
      <image:caption>Legacy Russell by Daniel Dorsa.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/distinguished-critic-lecture/blog-post-title-four-2l6c5</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/e93ec61f-ffb9-4317-ab98-08243b5ac6b6/download.jpeg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Carolina Miranda - Make it stand out</image:title>
      <image:caption>Carolina A. Miranda. Photo by Jay L Clendenin</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/distinguished-critic-lecture/courtney-j-martin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/8a3ffd61-c6cf-4c2f-951e-0fd1c2cc7f4b/ArgenisPhotoCourtneyJMartin_4782BB-courtneyjmartin.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Courtney J. Martin - Make it stand out</image:title>
      <image:caption>Courtney J. Martin. Photograph by Argenis Apolonario.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/distinguished-critic-lecture/aruna-dsouza</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/89e09588-7a0f-4ca2-809e-53faa3d3ef79/ARUNA.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Aruna D'Souza - Make it stand out</image:title>
      <image:caption>Photo credit: Dana Hoey</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/distinguished-critic-lecture/paul-chaat-smith</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/b5d7a485-5670-4511-aa0c-a7881a91965e/Paul-Chaat-Smith.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Paul Chaat Smith - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/distinguished-critic-lecture/negar-azimi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/ece6af4e-00e2-488e-8c39-785aad12d35c/photo-768x516.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Negar Azimi - Make it stand out</image:title>
      <image:caption>Negar Azimi photographed by Oliver Chanarin</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/distinguished-critic-lecture/naomi-beckwith</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/42190a3e-71f9-4ded-b4d5-c61a77ad2b3a/hello-768x1151.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Naomi Beckwith - Make it stand out</image:title>
      <image:caption>Naomi Beckwith Photo: Nathan Keay, © MCA Chicago</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/distinguished-critic-lecture/carolyn-christov-bakargiev</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/5290b193-147e-41a4-abf2-ec61558257e5/3e25749b6592b7adf9bfe2b24254a4b1.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Carolyn Christov-Bakargiev - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/distinguished-critic-lecture/lucy-lippard</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/bd9108bb-da18-4406-b2a5-5201b52d178e/d42674594152f4139b2738b278187109.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Lucy Lippard - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/distinguished-critic-lecture/michelle-kuo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/f00bcc11-cb74-4277-997e-2785c51fd224/4677d71b094acd89a51707cbf24203a3.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Michelle Kuo - Make it stand out</image:title>
      <image:caption>Michelle Kuo, editor-in-chief, Artforum International, Photo by Jonathan Bailey.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/distinguished-critic-lecture/peter-schjeldahl</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/87c1cab6-135d-490f-b336-a99f3dd0f40c/Screenshot+2024-09-14+at+9.14.02%E2%80%AFPM.png</image:loc>
      <image:title>Distinguished Critic Lecture Series - Peter Schjeldahl - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/distinguished-critic-lecture/holland-cotter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/0cb34fbb-b3f6-458d-9e58-d7286da5c3d1/55b70d64e2018c736c9ba1b88496718a.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Holland Cotter - Make it stand out</image:title>
      <image:caption>Mask, 19th–20th century, Metropolitan Museum of Art, New York, NY www.metmuseum.org</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/distinguished-critic-lecture/roberta-smith</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/ce6a7365-4f71-488c-b17b-4d4325e53254/60673e71acd3f898b15021668e47b9bf.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Roberta Smith - Make it stand out</image:title>
      <image:caption>Roberta Smith. Photo courtesy of the New York Times.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/distinguished-critic-lecture/linda-nochlin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/f4560bec-e01d-4f3b-a9aa-743bfe367425/Screenshot+2024-09-14+at+9.38.15%E2%80%AFPM.png</image:loc>
      <image:title>Distinguished Critic Lecture Series - Linda Nochlin - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/distinguished-critic-lecture/michael-brenson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/92cde990-021a-48e4-bd87-90c9a85a068d/Michael-Brenson-credit-William-Lamson-approved.jpg</image:loc>
      <image:title>Distinguished Critic Lecture Series - Michael Brenson - Make it stand out</image:title>
      <image:caption>Photo by William Lamson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/irving-sandler-award</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-20</lastmod>
  </url>
  <url>
    <loc>https://www.aicausa.org/irving-sandler-award/laurenlevatocoyne</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/66ca678c8973fe592763aaa7/e3224763-fd09-46bc-888a-f75006cad782/lauren-levato-coyne-sandler-headshot.jpg</image:loc>
      <image:title>Irving Sandler Award - Lauren Levato Coyne - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.aicausa.org/irving-sandler-award/amarigipson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-19</lastmod>
    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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