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Michelle Stuart: Charting Time and Space

AICA-USA Member Joyce Beckenstein's profile of Michelle Sutart, which appeared in the September 2013 issue of Sculpture Magazine, begins

In a quiet corner of Michelle Stuart’s SoHo studio, a sculpted Buddha presides over a Wunderkammer of curiosities. Pre-Columbian sculptures, African ceremonial beads, a seaman’s log, rocks, and odd pods comfortably cohabitate with other exotic oddities. Like Stuart’s Specimens (1968–ongoing)—stacked wooden boxes stocked with bottles of earth samples from Peru to the Sahara—the room elicits precious clues to life’s infinitely grand scheme from infinitesimally small nuggets.

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